
La Chaise by Charles and Ray Eames
Charles and Ray Eames designed La Chaise for MoMA’s 1948 furniture competition, drawing on Gaston Lachaise’s Floating Figure sculpture.
48 related archive entries.

Charles and Ray Eames designed La Chaise for MoMA’s 1948 furniture competition, drawing on Gaston Lachaise’s Floating Figure sculpture.

Hans J. Wegner’s CH24 Wishbone Chair, designed in 1949, combines a curved wooden top rail, Y-shaped back support and woven paper cord seat.

Wegner’s CH25 lounge chair entered production in 1950, pairing a shaped wooden frame with a hand-woven paper cord seat and backrest.

Eero Saarinen’s 1948 Womb Chair for Knoll, with an upholstered fiberglass shell shaped for relaxed sitting and a light steel rod base.

BEDROOM / Designs in this section include headboards, night tables, dressing tables and benches.

OCCASIONAL FURNITURE AND TABLES / The group in this section provides the interesting and functional accent pieces needed to complement any living area.

STORAGE / The storage units in the Directional collection are all illustrated in this section. These versatile designs provide a multiplicity of possibl...

SEATING / The Directional seating collection offers a wide range of seating units for both home and institutional use.

Baziotes’s Blue Mirror (1948), an oil painting in the biomorphic art collection, with its archived photograph and dimensions.

Brooks’s No. 27 (1950), an oil painting from the biomorphic art archive, with a photograph and related modern works.

Gorky’s Agony (1947), an oil painting in the biomorphic art archive, with an artwork photograph and related works.

Rothko’s Number 14 (1949), illustrated in the biomorphic art archive with an artwork photograph, medium, and dimensions.

Lassaw’s The Milky Way: A Polymorphic Space (1950), illustrated in the expressionist geometric art archive with material and size notes.

Noguchi’s The Gunas (1948), a Tennessee marble sculpture in the biomorphic art archive, with a photograph and dimensions.

Seliger’s Winterscape (1948–49), a tempera work illustrated in the biomorphic art archive, with related modern art.

1) GREGG, FREDERICK JAMES. For and against; views on the international exhibition held in New York and Chicago. New York, Association of American painte...

Smith’s Blackburn: Song of an Irish Blacksmith (1949–50), an iron sculpture illustrated in the biomorphic art archive.

Davis’s For Internal Use Only (1945), an oil painting illustrated in the expressionist geometric art collection.

Marin’s The Fog Lifts (1949), an oil painting in the naturalistic geometric art archive, with a photograph and dimensions.

Jackson Pollock's One: Number 31, 1950 combines oil and enamel paint in a monumental field of poured lines, loops, pools, and splashes.

ALBERS, JOSEPHBorn Westphalia, Germany, 1888. Studied Berlin, Essen and Munich. 1923-33, taught at Bauhaus until closing of school by German government....

De Rivera’s Yellow Black (1946–47), an aluminum sculpture illustrated in the pure geometric art archive.

Pereira’s Composition in White (1942), a mixed-medium work on parchment illustrated in the pure geometric art archive.

Piet Mondrian's Broadway Boogie Woogie, painted in 1942–43, turns a grid of primary colors into a lively arrangement of interrupted lines.

Glarner’s Relational Painting (1947–48), an oil painting in the pure geometric art archive, with an artwork photograph.

Morris’s Suspended Discs (1950), an oil painting illustrated in the pure geometric art collection with its dimensions.

Model’s Uptown (1947), illustrated in the architectural and mechanical art collection with links to related archive entries.

Crawford’s From the Bridge (1942), illustrated in the architectural and mechanical art collection alongside related works.

Lewandowski’s Christmas Tree (1950), illustrated in the architectural and mechanical art archive with related modern works.

OWNER: Mrs. D. K. Roosevelt COST FACTS:$19,500 in 1951. 1490 square feet (counting carport, etc. as one-third) at $13.10 per square foot, including stor...

COST FACTS:$17,000 in 1950. House 1250 square feet (carport 400; stair, deck and storage 500; figured at one-half), at $10 per square foot.

COST FACTS:$19,000 in 1951. 2500 square feet at $7.60 per square foot.

OWNERS: Mr. and Mrs. Richard Page COST FACTS:$17,000 in 1950. 1500 square feet at $11.20 per square foot. MATERIALS: Brick bearing walls (exposed on bot...

OWNER: John Garden Campbell COST FACTS: $5,000 (without architect's fee), in 1952. 540 square feet.

OWNERS: Mr. and Mrs. E. G. Crosby COST FACTS:$4,000 in 1949, exclusive of water supply system, cesspool and plumbing fixtures. The pump pit with pressur...

COST FACTS: $9,000 in 1949. 760 square feet at $12 per square foot. Cost includes built-in furniture.

OWNERS: Mr. and Mrs. John Masson COST FACTS: $13,000 in 1951-52. Square footage: house 1012, terrace 210 (figured at one-half) at $11.50 per square foot.

OWNER: Dwight H. Panchot COST FACTS:Approximately $20,000 in 1950 (not including special equipment). 1654 square feet at approximately $12 per square foot.

OWNERS: Mr. and Mrs. S. Blair Kirk COST FACTS:$10,500 in 1950.825 square feet at $12.75 per square foot.

Charles and Ray Eames combined a steel-framed home and studio with a preserved meadow in their 1949 Case Study House No. 8.

OWNERS: Mr. and Mrs. George Brody COST FACTS: $20,000 in 1950-51, including built-in furniture and carport masonry. Square footage: house 1080; basement...

OWNERS: Mr. and Mrs. Edward Rubin COST FACTS:$19,300 in 1952. Square footage: 1650 for house, 400 carport, 35 for storage. About $11 per square foot.

OWNER: Mrs. Carlton Ryan COST FACTS:$18,932 in 1951. 1260 square feet at $15.02 per square foot.

Philip Johnson’s 1949 Glass House in New Canaan uses transparent walls and carefully placed furniture to frame its wooded landscape.

Marcello Nizzoli’s 1950 Olivetti Lettera 22 combines a low enameled-metal body and compact keyboard in a typewriter designed for portable use.

The 1948 Olivetti Lexikon 80 by Marcello Nizzoli encloses an office typewriter’s mechanism within a sculpted enameled-aluminum housing.

OWNER: Moritz Thomsen COST FACTS: $16,500 in 1950. 1344 square feet at approximately $12 per square foot.

Feininger’s Vita Nova (1947), an oil painting illustrated in the naturalistic geometric art archive with related works.