Expressionist Biomorphic Art

Characteristics of Expressionist Biomorphic art are

Baziotes Blue Mirror

Baziotes’s Blue Mirror (1948), an oil painting in the biomorphic art collection, with its archived photograph and dimensions.

Brooks’s No. 27 (1950), an oil painting from the biomorphic art archive, with a photograph and related modern works.

Carles’s Composition III (1931–32), illustrated in the biomorphic art collection with its medium and dimensions.

Gorky’s Agony (1947), an oil painting in the biomorphic art archive, with an artwork photograph and related works.

Lassaw’s Composition in Steel (1938), a hammered-steel sculpture illustrated in the biomorphic art archive.

Noguchi’s The Gunas (1948), a Tennessee marble sculpture in the biomorphic art archive, with a photograph and dimensions.

Rothko’s Number 14 (1949), illustrated in the biomorphic art archive with an artwork photograph, medium, and dimensions.

Seliger’s Winterscape (1948–49), a tempera work illustrated in the biomorphic art archive, with related modern art.

Smith’s Blackburn: Song of an Irish Blacksmith (1949–50), an iron sculpture illustrated in the biomorphic art archive.

Joan Miró's The Birth of the World combines a stained, atmospheric ground with deliberately placed signs and figures.