
Armchair 19 by Magistretti
Although ostensibly a 'folksy' traditional chair, on close examination this turns out to be one of the few truly modern designs in plain wood constructi...
20 related archive entries.

Although ostensibly a 'folksy' traditional chair, on close examination this turns out to be one of the few truly modern designs in plain wood constructi...

Not only successful as an abstract sculpture, the Dondolo is also highly functional. It has great strength due to its pleated structure and gives good a...

The same principles of construction used in the Torneraj apply to the Drum, showing again that almost any form can now be made to behave as a chair.

Probably the first of the new wave of surrealist chairs, this one is sold as the sculpture of Pedro Freideberg, an Italian living in Mexico.

Vladimir Tatlin was a leader of the Russian Constructivist movement, and the Tatlin is the only existing chair from this period.

Charles and Ray Eames designed La Chaise for MoMA’s 1948 furniture competition, drawing on Gaston Lachaise’s Floating Figure sculpture.

Vasily Kandinsky's Composition 8, painted in July 1923, combines circles, triangles, and fine lines in a study of expressive geometric abstraction.

Carles’s Composition III (1931–32), illustrated in the biomorphic art collection with its medium and dimensions.

Lassaw’s Composition in Steel (1938), a hammered-steel sculpture illustrated in the biomorphic art archive.

Noguchi’s The Gunas (1948), a Tennessee marble sculpture in the biomorphic art archive, with a photograph and dimensions.

Smith’s Blackburn: Song of an Irish Blacksmith (1949–50), an iron sculpture illustrated in the biomorphic art archive.

Explore Calder’s Feathers, Gypsophila II, and Spiny through archived photographs, dates, materials, and dimensions.

Smith’s Amusement Park (1937), a sculpture of steel with cadmium illustrated in the expressionist geometric art collection.

Pereira’s Composition in White (1942), a mixed-medium work on parchment illustrated in the pure geometric art archive.

De Rivera’s Yellow Black (1946–47), an aluminum sculpture illustrated in the pure geometric art archive.

Steel wire and wood, painted, 23 1/4" high

Kazimir Malevich's Suprematist Composition: White on White of 1918 explores the movement and space suggested by a tilted square and subtle whites.

Theo van Doesburg's Counter-Composition VIII places an asymmetrical arrangement of dark and light planes within a diamond.

El Lissitzky's About Two Squares uses red, black, typography, and geometric constructions to tell an abstract story.

Sydney Opera House turns concrete roof shells into a harbor landmark, shaped by Jørn Utzon’s design and a demanding process of construction.