
Armchair by Aalto
This armchair, and others like it, stem from Aaltos Armchair 41, designed in 1930.
25 related archive entries.

This armchair, and others like it, stem from Aaltos Armchair 41, designed in 1930.

This chair is made up of two bent steel tubes forming legs, arms and back, fixed to a flat-section steel seat frame. This is filled with a flat seat pad...

This chair was designed by Mies van der Rohe for the German Government pavilion, which he designed for the Barcelona International Exhibition of 1929.

The Basculant has a frame of chromium-nickel-plated tubular steel, with calfskin seat and back, and leather strap arm rests. For the interiors of his ow...

Charles Eames, referring to the designing of his 1957 lounge chair once said he wanted to design a chair that would welcome the body, like a well-used b...

Eames produced his Aluminium Group: chairs with a single fine seat/back element in horizontally seamed fabric or vinyl coverings over vinyl-coated fabri...

Eames regards the seat element as a shell that should be contoured to the human body and the leg structure as a quite distinct base, to which the shell...

The LCM was technological in its design so it was an exceedingly advanced chair. Eames had been experimenting with formed plywood for a number of years...

The only chair that Eames designed to achieve comfort both actual and psychological, this chair consists of a metal base which supports curved plywood p...

The eventual separation of each plywood element removed the need for the overlapping, but the contours of the 670 can be discerned in this earlier model.

Designed by Le Corbusier in association with his partner, Charlotte Periand, and used in the furnishing of his Villa d'Avray, this is the first chaise t...

An offshoot of the long family tree of overstuffed chairs, the Grand Confort is composed of four large loose cushions fitting within a basket-like frame...

This chair was designed for the Tugendhat House in Brno, Czechoslovakia. Much greater strength is achieved in this design, visually and physically, by t...

This chair was designed at the time of the earliest use of the cantilever principle for metal-frame chairs.

This chair was designed, like the Brno for the Tugendhat House.

This chair is obviously developed from the Triennale chair: the supporting elements have all been simplified and the tension system is more explicit.

This is perhaps the best known of Wegner's extensive range of chair designs. It epitomizes the characteristic qualities of his work - classicism, sophis...

When l'Unite d'habitation and its unprecedented forms became an integral part of the Marseilles landscape, the cycle of the 'town-planning revolution' w...

L'Unite d'habitation, Nantes Reze Pilotis - designed by Le Corbusier.

L'Unite d'habitation in Nantes Reze Reliefs - designed by Le Corbusier.

Le Corbusier did not lose his way, on the contrary, l'Unite at Marseilles strengthened his dogged faith in his own creed. He felt that here at last was...

The Villa Savoye seems to grow from the interior, almost as though reacting against any form of external 'front', thanks to a central force, which is al...

Exterior view of The Visual Arts Center in Cambridge, Massachusetts, USA. Designed by Le Corbusier.

The Youth and Cultural Center in Firminy, France. Designed by Le Corbusier.

Architect Rodney Friedman and his wife, Shirley, sit at their dining room table on "wishbone" chairs by Danish designer Hans Wegner they purchased 45 ye...